We will be having a launch event for Issue 28 of NōD magazine at Shelf Life Books. It will be on April 18th at 7PM. Fill out the linked form to RSVP!
New Submissions Deadline for NōD 28!
Hello friends! We hope you’re having a safe and restful holiday season. We come bearing a gift of good news: our submissions period for NōD 28 is reopening until the end of January! Check out our submission guidelines, then send us your best poetry, prose, visual art, and everything in between. Happy creating!
Submissions Deadline Approaching: December 15th
Heads up — the deadline to submit to Issue 28 is fast approaching! Send your best poetry, prose, visual art, and everything in between to firstname.lastname@example.org by Wednesday, December 15th for consideration. Happy creating!
NōD 28 Call for Submissions — Deadline December 15th!
NōD is currently soliciting submissions of poetry, prose, visual art, and everything in between for Issue 28! Check out our submission guidelines, then email email@example.com with your best work by Wednesday, December 15th, 2021. The deadline is fast approaching, so get creating — we can’t wait to see your work!
Call for Submissions!
Exciting news—NōD Magazine is now accepting submissions for Issue 28! Send your best prose, poetry, visual art, and everything in between to firstname.lastname@example.org before Wednesday, December 15th. Prior to submitting, please check out our submission guidelines. We can’t wait to see your work!
NōD 27 Launch is this Saturday!!
We’re beyond thrilled that our 27th issue is launching this Saturday, July 3rd! The event is online on Zoom, and we’d love for you to be there – you can RSVP via this google form. We also encourage you to connect with us on Instagram – I will confess that our updates are more regular there, haha. We’re incredibly proud of all the wonderful poetry, prose, and visual art in this new issue, and we can’t wait for it to be out in the world!
David A. Romero’s “My Name Is Romero”: A Review
Too often poetry can seem an inaccessible medium for the casual reader. Within the layers of poetry, a person unfamiliar with the style could feel alienated, even belittled by the writer. My Name Is Romero avoids this trap, providing an accessible experience with conversational, fast-paced, and intimate lines reminiscent of spoken word poetry. If not for the ink on the page, a reader could forget they are reading poetry and not listening to a friend speak of their experiences as a Mexican-American. The movement of the poetry tears down barriers between the colloquial and the literary. Speaking in a deeply authentic mode, the poems work best as an immersion into history and family.
My Name Is Romero opens with self-exploration and progresses into a dance between culture and language, the self and history. Poems flank each other: one spitting and unflinching in anger and emotion surrounding systemic racism, the other about burritos. This juxtaposition heightens both poems to incredible intensity. The most memorable poems employ longer lines, allow prolonged metaphor, and weave English and Spanish together for sonic and thematic effect. The largest criticism is not the content, as the over arching story is both vibrant and engaging, but of some stylistic features. Where the poems excel are in their unhurried examination of personal identity through metaphor, especially interweaving imagery of cultural foods while setting the dueling languages of English and Spanish free to play. However, the book leaves these poignant methods to address Donald Trump, racism, and other complex topics head-on, which minimizes the poetic attributes of those specific pieces. Conversely, this potentially contributes to the book’s accessibility for new readers, as these poems are light in poetic device and so are more immediately understood. The experience is well suited to a casual reader, or a person seeking to educate themselves on the complexities of identity in the United States. This holds especially true with the conversational tone held throughout, as this book serves to engage and befriend the reader, while educating on broad historical and personal topics.
There is much to enjoy in My Name Is Romero. The broader story spits vibrant anger as it exposes systemic, historical, and interpersonal racism. Yet, it speaks of love, hardship, all with a spark of humour. The final poems strike an emotional chord, a conclusion to a story between friends. The intimacy and readability of Romero’s book remains a valuable expansion of Latinx art and history.
Review by Kat Heger
David A. Romero’s “My Name is Romero” is available from FlowerSong Press.
NōD 26 Launch is this Saturday!
You can find RSVP information for this Zoom event on Facebook (check out our page!). Those attending the launch will also receive a free PDF copy of the issue. We’re incredibly excited and very much looking forward!
NōD 26 Launch Date Announced!
We are thrilled to be able to say that NōD Magazine’s 26th issue will be launched on January 9th, 2021. Given the very much ongoing COVID-19 pandemic, the launch event for this issue will be taking place online. More details will be available shortly, and you can follow us on Instagram and Twitter to stay fully up to date. We couldn’t be more excited to share the amazing contents of this issue with you – save the date, and we’re looking forward!
An Update Re: Issue 26
Hey all! We just wanted to give you an update as far as the status of our upcoming 26th issue, within the context of the ongoing global COVID-19 pandemic. We recognize that this update is incredibly belated at this point, and we apologize sincerely – like everyone else, we have been collectively and individually beset by all manner of chaos during these times, but we still wish that we had been far more prompt in addressing the status of the journal. We want to assure you that NōD 26 is still going ahead, and that we are incredibly excited for you to see all the wonderful things the issue contains. This being said, due to a variety of logistical issues arising from the pandemic (and, notably, the subsequent closure of the University of Calgary campus), the launch of NōD 26 will be delayed until the fall. We will be making a concrete decision closer to that time (fully in line with all health rules and precautions) as to whether a physical launch is feasible, or whether we will need to take alternate measures. We will be sending emails to all contributors advising them of these changes in the very near future. We thank you very sincerely for your patience and understanding, and we hope that you’re as excited as we are to see this wonderful new issue of NōD out in the world. We’re wishing you the best for health and safety!
– The NōD Editorial Team
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